Seth MacFarlane has long lived at the intersection of irreverence and reverence. As the creator of Family Guy, he built an empire of absurdist animation, but his latest creative projects deepens his musical streak. He caught up with Kyle Meredith to talk about his new album Lush Life: The Lost Sinatra Arrangements, a collection of unearthed and previously unrecorded Frank Sinatra charts. From there, the conversation swings through his revival of The Naked Gun, a reimagining of The ’Burbs, and the success of Ted’s leap to television. Listen now.When Tina Sinatra called to offer MacFarlane access to her father’s archived arrangements, he jumped at the chance to revive what had been sitting in boxes for decades. “There were a good hundred charts or so in there that Frank had never recorded,” he says, citing a Nelson Riddle arrangement of “How Did She Look” and the infamous abandoned 1958 session for “Lush Life.” MacFarlane and his team not only finished the track, but aimed to deliver each song with the fidelity and flair of the original era.On the film and television side, MacFarlane stays just as busy. He’s producing a new Naked Gun movie starring Liam Neeson, who he calls “the last of a breed” of actors who can play it completely straight while delivering massive laughs. He’s also helping adapt The ’Burbs, calling Tom Hanks’ original turn “one of the most brilliant comedic performances ever.” And then there’s Ted, now a breakout hit on Peacock: “It was the most-watched comedy across all platforms for two months straight,” he says. “People loved it. They were all over it.”For someone straddling high art and high chaos, MacFarlane seems right at home on both sides of the spectrum. Listen to Seth MacFarlane chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Shirley Manson has never been one to shy away from big feelings, big statements, or big synths. Speaking with Kyle Meredith, the Garbage frontwoman dives into Let All That We Imagine Be the Light, a record that flickers with vulnerability, political outrage, and, surprisingly, hope. The follow-up to 2021’s No Gods No Masters, the new LP serves as a spiritual twin — but this one stares down the chaos with resilience rather than just rage. Listen now.“I realized that if I didn’t change my tack, I was going to lose my mind,” Manson says of her shift in perspective after the last album. “I wanted to project love, even though I was feeling physically broken and emotionally spent.” That brokenness included two hip surgeries and the loss of her dog — yet she funneled it all into a more nuanced lyricism.She also reflects on her refusal to stay silent about world events, especially the humanitarian crises in Gaza and Ukraine. That same spirit fuels the band’s creativity; even with new recording methods during her recovery, she embraced the challenge: “I’d get these musical sketches from the guys and I’d say to my husband, ‘What the hell am I supposed to do with this?’ But eventually, they sparked my imagination.”Listen to Shirley Manson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mark Hamill has played a Jedi, a clown prince of crime, and just about everything in between — but it’s The Life of Chuck that he says might be one of the most special experiences of his entire career. The pop culture icon sat down with Kyle Meredith to talk about the new Mike Flanagan film, a surreal, poetic meditation on existence based on a Stephen King novella. Listen to the episode now.For Hamill, the film’s emotional core hit hard — both as a performer and as someone reflecting on a long life onscreen. He credits Flanagan’s adaptation for retaining the novella’s time-shifting structure and praised the cast, including a scene-stealing Tom Hiddleston and an emotionally rich performance from young newcomer Benjamin Pajak.The actor even relates the new film to the messaging behind his most famous role. "I told George [Lucas] I loved the idea of the Force so much because it’s spiritual in a way that doesn’t make people feel uncomfortable,” he explains. “When Yoda came on the scene, it wasn’t about religion — it was something everyone could accept on their own terms.” That same spirit, he says, flows through The Life of Chuck. “This movie, it reassures you everything’s going to be okay. You’ve got to believe in the inherent goodness of people, or what’s the point?”Listen to Mark Hamill chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Finn Wolfhard has officially gone solo. After fronting Calpurnia and The Aubreys, the Stranger Things star is stepping out under his own name with Happy Birthday, an album of tape-saturated indie rock that pulls from Elliott Smith, Ben Lee, Daniel Johnston, and some garage-punk loudness for good measure. The actor spoke with Kyle Meredith all about it, listen now.Wolfhard wrote 50 songs in a single year, then cherry-picked the most personal ones to record alone — initially planning to hide behind a band name. “But then I kind of decided to just go fully in and just do it under my name,” he says. “Because, you know, it’s a personal record.” It’s also a deeply nostalgic one. On tracks like “Crown,” he finds himself longing for simpler times: “When you’re a kid, everything’s done for you/ Looking back, that was actually such a luxury.”Now that Stranger Things has wrapped, Wolfhard’s looking back on nearly a decade spent growing up inside one of the biggest shows of the 21st century. “I got to experience a once-in-a-lifetime thing while also just figuring out who I was,” he says. “It was weird. And beautiful. And very, very public.” The show may be over, but its influence lingers — not leastwise because of the relationships he made with the cast members.Listen to Finn Wolfhard chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this two-part Rewind episode, Kyle Meredith catches up with Imperial Teen and Rainer Maria — two cornerstone indie bands that helped shape the lo-fi-to-mainstream arc of alternative music. Listen to their insights now.Taped at different moments in their respective comebacks, both interviews dive into the complexities of making new music after years away. Imperial Teen reflect on their 2012 album Feel the Sound, the logistics of long-distance collaboration, and why they never intentionally chase hooks. Meanwhile, Rainer Maria discuss the serendipity of proximity that led to their self-titled reunion album, pulling forgotten ideas from old MiniDiscs, navigating the streaming era, and writing lyrics with more personal depth than ever before. Both bands prove that time apart hasn’t dulled their creative spark. Really, it’s only sharpened their purpose.Listen to Imperial Teen and Rainer Maria chat about all this and more. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Auliʻi Cravalho (best known as the voice of Moana) returns to the mic in Lulu Is a Rhinoceros, a new Apple TV+animated musical that asks, “What if identity was more than skin — or fur — deep?” Voicing a dog who sees a rhinoceros when they look in the mirror, Cravalho uses this children’s story to navigate themes of gender identity, kindness, and self-acceptance, and talks with Kyle Meredith all about it. Listen now.Cravalho is also coming off a run in Cabaret starring alongside Adam Lambert, because apparently it’s not enough to voice a Disney icon — you’ve also got to tackle fascism eight shows a week. She talks about her love for roles that challenge her, her not-so-secret desire to play a villain, and how Lulu offers a chance to speak directly to the younger version of herself. Spoiler: she’s also plotting to take over behind the camera as a producer, director, and general artistic overlord.Listen to Auliʻi Cravalho chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this long-lost 2016 conversation, legendary Warner Bros. Records president Lenny Waronker walks Kyle Meredith through the iconic Burbank offices (now shuttered), sharing candid stories about signing Prince, nearly passing on “Wicked Game,” quietly acquiring Tom Petty, and what made the label — and its artists — so visionary. Listen now.Waronker reflects on his early studio days, the genius of Prince’s bassless “When Doves Cry,” the Black Album saga, and how letting artists lead was always the secret sauce. From Randy Newman to Chris Isaak to Bat-era Kim Basinger moans, it’s a masterclass in music history told from one of its most influential behind-the-scenes architects.Listen to Lenny Waronke chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Densmore has spent 60 years drumming in the shadow of both jazz greats and one very poetic lizard king, and has lived to talk about it. In this chat, he joins Kyle to dig into The Doors’ ongoing live album series, the hypnotic pulse of “Riders on the Storm,” and having a front row seat to Ray Manzarek’s insane two-handed abilities. Listen now.He also shares how the band’s improvisational wizardry worked in real time — like jamming out "The End" while Jim Morrison free-associated poetry about familial homicide — and reflects on playing “WASP (Texas Radio and the Big Beat)” live at a recent Whiskey a Go Go gig, which ended with his thumb staging a minor protest. There’s talk of Coltrane outtakes, Miles Davis, and even a Chuck D collaboration.And if you’re one of those fans who think the magic died in a Paris bathtub, Densmore kindly reminds you there were twopost-Jim albums. Not that they’ll be staging a reunion tour, but Robby Krieger is currently playing entire Doors albums live, and Densmore occasionally drops in when his joints allow.Listen to John Densmore chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hannah John-Kamen returns to the MCU in Thunderbolts*, reprising her role as Ghost — a character who’s now less flickery rage-machine, more emotionally self-aware loner with sarcasm issues. The film trades in the usual spandex-and-quips formula for something darker: guilt, depression, shame, and what happens when the Avengers forget your name. It’s a Marvel movie by way of group therapy, and she’s here for it. The actress spoke with Kyle Meredith all about it, and you can listen to the conversation now.John-Kamen breaks down how Ghost has evolved — more control, a cooler suit, and a lot less murder-y panic. She didn’t bother rewatching 2018's Ant-Man and the Wasp, choosing instead to reenter the role like a totally different person, because, well, Ghost is a totally different person now. There’s also some talk about finding British sarcasm in the middle of emotional trauma, improv sessions with Wyatt Russell and Florence Pugh, and the existential experience of filming a Marvel movie that isn’t just a CGI fireworks display.In case playing a tortured ex-villain wasn’t enough, turns out John-Kamen also writes songs, plays piano, and is maybe about to collaborate with a Brit Award winner. So, you know, in her downtime between blockbusters and inevitable crossover appearances, she might also casually launch a music career. Some people just walk through walls; others do that and book studio time.Listen to Hannah John-Kamen chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gene Simmons returns to Kyle Meredith With… to celebrate the 50th anniversary of KISS’s Dressed to Kill, the album that gave us the studio version of “Rock and Roll All Nite”—which, according to Gene, may or may not qualify as a hit depending on your definition of the word. Listen now.Simmons reflects on the bands origins as four “unqualified” New Yorkers in makeup and heels who somehow ended up headlining stadiums. He also talks about life after the “final” KISS tour, which includes his new film production company (including working on a new movie with Bella Thorne and Mel Gibson), restaurants, vodka brand, and whatever else you can slap a Moneybag™ on. He’ll also return to Vegas with KISS later this year — not in makeup — for a KISS Army celebration.As always, Gene has opinions. On streaming: it ruined music ("Where's the new Beatles? Where's Elvis?"). On critics: they’re talentless ("...They don't really wanna work for a living, but they can't play instruments and have no talent."). On opera: pure agony. On the Ramones: “a failed band.” And on you? Well, if you’re still buying tickets or spinning the records, he loves you. Either way, Gene’s still here, still loud, and still allergic to subtlety.Listen to Gene Simmons chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out Effecty and use my code KMW for a great deal: https://www.effecty.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy