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Sarah Cahill: Tiny Desk Concert

Pianist Sarah Cahill lying down on a bed of green grass, smiling and wearing red dress
Marianne La Rochelle
Sarah Cahill, pianist

Pianist Sarah Cahill commands a near-godlike status among fans of contemporary classical music. She's commissioned dozens of new works from today's top composers includingJohn Adams,Julia Wolfe andTerry Riley. But when she sat down at the piano behind Bob Boilen's desk, she was focused not so much on new music but instead the plight of women composers.

While compositions by women are being heard slightlymore often in concert halls over the past three years, historically the numbers have been pitiful. (In the 2018-19 season, both the Philadelphia and the Chicago Symphony orchestras presented music by 55 different composers —none were women.)

Cahill is doing her part to remedy the situation. For this performance, she offers a sampler of The Future is Female, her multivolume project that collects piano music by a staggeringly wide swath of women composers over a four-century span.

A spirited prelude by the short-lived Czech composer Vítězslava Kaprálová opens the set. She managed to write some 50 works before her death in 1940 at age 25. What a contrast to the fascinating, quirky music ofEmahoy Tsegué-Maryam Guèbrou, the Ethiopian nun who lived to age 99. Poised for a career as a concert pianist, she turned to religious life and later wrote music in a singular style that includes off-kilter waltzes, odd syncopations, Ethiopian Orthodox chant and whiffs of blues.

Cahill looks back to the 17th century for dance music by Élisabeth Jacquet de la Guerre, a favorite of Louis XIV, and caps off the set with a piece she commissioned from the Chicago-based composer Regina Harris Baiocchi, a bittersweet poem for piano titled "a candle burns time."

In an age when the average person would still be hard-pressed to identify a single woman classical composer, Sarah Cahill has plenty of important names to choose from.

("Presentiment," by Emahoy Tsege Mariam Gebru, courtesy of theEmahoy Tsege Mariam Music Foundation, a self-financing nonprofit that funds music education for underserved children in the U.S. and Ethiopia.)


  • Vítězslava Kaprálová: April Prelude No. 1
  • Emahoy Tsegué-Maryam Guèbrou: Presentiment
  • Élisabeth Jacquet de la Guerre: Suite No. 1, Sarabande & Gigue
  • Regina Harris Baiocchi: Piano Poems, "a candle burns time"


  • Sarah Cahill: piano


  • Producer: Tom Huizenga
  • Director/Editor: Joshua Bryant
  • Audio Engineer: Josh Rogosin
  • Creative Director: Bob Boilen
  • Series Producer: Bobby Carter
  • Videographers: Joshua Bryant, Maia Stern
  • Audio Assistant: Kwesi Lee
  • Photographer: Michael Zamora
  • Tiny Desk Team: Suraya Mohamed, Kara Frame, Ashley Pointer, Hazel Cills
  • VP, Visuals and Music: Keith Jenkins
  • Senior VP, Programming: Anya Grundmann

Copyright 2023 NPR. To see more, visit https://www.npr.org.

Tom Huizenga
Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.

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